Allan Pettersson http://allanpettersson.org/ Thu, 21 Oct 2021 10:03:21 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://allanpettersson.org/wp-content/uploads/2021/10/icon-19-120x120.png Allan Pettersson http://allanpettersson.org/ 32 32 South Florida Classical Review »» Carson Kievman, innovative composer and educator, has passed away https://allanpettersson.org/south-florida-classical-review-carson-kievman-innovative-composer-and-educator-has-passed-away/ https://allanpettersson.org/south-florida-classical-review-carson-kievman-innovative-composer-and-educator-has-passed-away/#respond Wed, 20 Oct 2021 16:54:45 +0000 https://allanpettersson.org/south-florida-classical-review-carson-kievman-innovative-composer-and-educator-has-passed-away/ Carson Kievman founded and directed the SoBe Arts Institute in Miami Beach. Carson Kievman has died at the age of 72. The Miami-based composer-educator-producer, who had moved to Sarasota after decades in Miami Beach, suffered a stroke in April 2020. Although the surgery was successful, two cancers and a whole body neuropathic condition were discovered […]]]>
Carson Kievman founded and directed the SoBe Arts Institute in Miami Beach.

Carson Kievman has died at the age of 72. The Miami-based composer-educator-producer, who had moved to Sarasota after decades in Miami Beach, suffered a stroke in April 2020. Although the surgery was successful, two cancers and a whole body neuropathic condition were discovered later.

Long active on the South Florida music scene, Los Angeles-born Kievman was resident composer for the Florida Philharmonic in the late 1980s. He wrote his Second Symphony for this ensemble, which was performed by several American orchestras and recorded.

After doctoral studies at Princeton University, Kievman returned to South Florida and established the SoBe Arts Institute, a music and arts school that provided financial aid and education to gifted middle and high school students. . Many former members of the New World Symphony and independent musicians and singers from the region have formed its faculty.

The school also formed the headquarters of SoBe Arts, Kievman’s production company, which staged his ambitious musical theater works.

While a concert version of Shakespeare’s staging in the 1970s by Kievman Hamlet turned out to be uneven and stylistically somewhat dated, the premiere of his seventy-minute musical drama Fairy Tales: Songs of the Dandelion Woman was a revolutionary tour de force. Portrait of a mental illness that has crossed atonality, electronic music, operetta and Schoenbergian sprechstimme, the work has had a devastating impact.

by Kievman Intelligent Systems – Self-surrender in Mystical Contemplation produced in 2015, was a visionary show that combined film, dance, high-tech multi-medical simulations and musical theater to tell the story of nothing less than the birth, destruction and rebirth of planet Earth.

When the expansion of the Miami Beach Convention Center resulted in the demolition of the SoBe Arts campus, Kievman moved to the Colony Theater, where he produced You’re here in 2017. Based on the story of the pioneering scientist and his experiments with electricity in the 20e century, opera has proven to be a fascinating fusion of music and narrative drama.

Kievman also presented the American Masterworks String Festival in 2011, which brought together such loyal performers as violinist Lara St. John, cellist Matt Haimovitz and violist Kim Kashkashian on its Collins Park campus for a one-hour feast. week of works by American composers and master classes.

Prior to his years in Miami, Kievman studied with Earl Brown at the California Institute of the Arts. During two residencies in Paris, Kievman studied with the famous French composer Olivier Messiaen and he also attended the famous Darmstadt Summer School, a gathering place of avant-garde composers of the 1960s. There he has worked with luminaries such as Karlheinz Stockhausen, Luigi Nono, Luciano Berio and Mauricio Kagel. He was a Bernstein Fellow in 1977 at the Tanglewood Music Center where his musical theater score Wake up, it’s time to go to bed was produced and received public and critical acclaim. In 1978, Kievman became composer and director in residence at the Public Theater in New York City, writing new works and scores for plays under the direction of legendary producer Joseph Papp.

Kievman’s production includes ten operas, eight symphonies and a lot of chamber and choral music. She was a singular musical voice and her contribution to the musical life of South Florida was unique and rewarding.

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Maine West student shines as a songwriter https://allanpettersson.org/maine-west-student-shines-as-a-songwriter/ https://allanpettersson.org/maine-west-student-shines-as-a-songwriter/#respond Tue, 19 Oct 2021 14:26:29 +0000 https://allanpettersson.org/maine-west-student-shines-as-a-songwriter/ To say that Maine West junior Sophia Luong is humble is an understatement. Department chair Jennifer Mullen took Sophia into her AP music theory class and discovered by accident that her student is an accomplished songwriter. When Mullen shared information with her students about a state-level composition competition, Sophia said she completed a score recorded […]]]>

To say that Maine West junior Sophia Luong is humble is an understatement. Department chair Jennifer Mullen took Sophia into her AP music theory class and discovered by accident that her student is an accomplished songwriter.

When Mullen shared information with her students about a state-level composition competition, Sophia said she completed a score recorded on May 31 at Guarneri Hall in Chicago after attending the Fellows of the Civic Orchestra of Chicago.

When Sophia heard about the Civic Orchestra program, she decided to enroll and spent four weeks training in music composition.

The title of her score is “March 2020” and, according to Sophia, it reflects how she was feeling at that time.

“I wanted to write a play that captures my experience of this unprecedented and difficult time,” she says.

She shares that she used the process of writing music to reflect on some of her thoughts and feelings spurred by the pandemic. She began her composition process by sitting in front of a piano and improvising, writing down musical ideas as they aroused her interest.

The play depicts the emotions Sophia was feeling as a result of the pandemic, captures some of her observations on the feelings and responses of others to the pandemic, and acknowledges the political and social turmoil that was occurring at the time, giving a special attention to blacks. Movement of the matter of lives.

The score premiered on YouTube on September 17 and is available at youtu.be/_2KPycPujPg.

In addition to her score, there is an interview with Sophia and the creative process she used to create the score. Her piece is performed by Joe Bricker, percussion, and Hannah Christiansen, violin.

Each season, members of the Civic Orchestra of Chicago, the first training orchestra of the Chicago Symphony, receive resources to develop and implement a creative project of their own design.

In 2020-2021, Civic Fellows Joe Bricker and Hannah Christiansen took this opportunity to launch “Chicago, From Scratch,” a collaborative composition program presented in partnership with the Chicago Musical Pathways Initiative and Guarneri Hall.


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MONDAY MANIQUE | Violinist Malin Broman becomes her own ensemble https://allanpettersson.org/monday-manique-violinist-malin-broman-becomes-her-own-ensemble/ https://allanpettersson.org/monday-manique-violinist-malin-broman-becomes-her-own-ensemble/#respond Mon, 18 Oct 2021 18:20:26 +0000 https://allanpettersson.org/monday-manique-violinist-malin-broman-becomes-her-own-ensemble/ Broman, first violin of Swedish Radio Symphony, came to Britta Byström with the idea of ​​a room in which she could “play with herself”. Byström immediately thought of Virginia Woolf’s detailed 1929 essay “A Room of Your Own.” Woolf’s essay focuses on the privacy that women need to write literature. Part of her writing reads: […]]]>

Broman, first violin of Swedish Radio Symphony, came to Britta Byström with the idea of ​​a room in which she could “play with herself”. Byström immediately thought of Virginia Woolf’s detailed 1929 essay “A Room of Your Own.”

Woolf’s essay focuses on the privacy that women need to write literature. Part of her writing reads: “A woman must have money and a room of her own if she is to write fiction.” “

“Rather, I thought of the great joy that comes with the lonely process of creating a work of art and the magical moments that can arise in that process,” Byström said. “This magic also remains during a pandemic.

“Over the past 18 months we have seen musical life sadly affected by restrictions and blockages, but the joy of making music has always lived on, untouchable in its own private rooms,” she added.

Broman is no stranger to playing multiple instruments in one piece – in 2020, Broman skillfully managed to perform all parts of Mendelssohn’s Octet.

In Byström’s piece, Broman not only plays his eight parts on three stringed instruments, but also whistles and utters in eight voices a fragment of text which is inscribed in the score.

The incorporated text, derived from Woolfe’s essay, is – in Byström’s opinion – given new meaning during this period of closed concert halls. The fragment reads: “There is no door, no lock, no lock that you can put on the freedom of my mind.” ”

BRITTA BYSTRÖM | “A BEDROOM OF YOUR OWN” | MALIN BROMAN | 2021

“by ByströmA room of your ownIs linked to a double concerto “Infinite Rooms” which she wrote years ago for Broman and Rick stotijn. “At that time,” she says, “I was trying to create large-scale orchestra halls, inspired by the Japanese artist. Yayoi Kusama. “

“Now, however, [we’re moving] from the large orchestra hall to the small private room, but the principle is the same, ”she continued. Where “the private room turns out to be an infinite room, where a small number of musical details are multiplied endlessly through mirrors”.

Performers of Byström’s works include the BBC Symphony Orchestra, the Detroit Symphony Orchestra and the Swedish Radio Symphony Orchestra. She also wrote plays directly for Radovan Vlatkovic and Janine Jansen.

This year, Byström’s “Parallel Universes” was commissioned by the BBC Proms and received its premiere in August 2021 with the BBC Philharmonic and conductor John Storgårds.


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Korean national anthem performed on Bouzouki by a Greek composer https://allanpettersson.org/korean-national-anthem-performed-on-bouzouki-by-a-greek-composer/ https://allanpettersson.org/korean-national-anthem-performed-on-bouzouki-by-a-greek-composer/#respond Sun, 17 Oct 2021 16:26:02 +0000 https://allanpettersson.org/korean-national-anthem-performed-on-bouzouki-by-a-greek-composer/ Tsalikian Miran performed the Korean national anthem using the Greek bouzouki in honor of the friendship between the two countries. Credit: Screenshot / Youtube Award-winning Greek musician and composer Tsalikian Miran honored 60 years of friendship between Korea and Greece by playing the Korean national anthem on the bouzouki, an iconic Greek instrument. It was […]]]>

Tsalikian Miran performed the Korean national anthem using the Greek bouzouki in honor of the friendship between the two countries. Credit: Screenshot / Youtube

Award-winning Greek musician and composer Tsalikian Miran honored 60 years of friendship between Korea and Greece by playing the Korean national anthem on the bouzouki, an iconic Greek instrument.

It was the first time that the bouzouki was used to play the national anthem of a nation, outside of Greece, at an official event.

The bouzouki version of the Korean national anthem was released as part of an online event hosted by the Korean Embassy in Greece in honor of Korea National Foundation Day on October 3, as well as the long history of friendship and goodwill between countries.

Korean musician and actress Kim Jakyoung paid tribute to Greece by singing the country’s national anthem in Santorini.

Nikos Dendias, Greek Minister of Foreign Affairs, was present at the virtual event, alongside Jun Il Lee, Korean Ambassador to Greece.

Korean national anthem played on bouzouki to honor bond between countries

Lee pointed out that Greece and Korea have shared a strong bond since the two countries opened a diplomatic relationship in 1961, but even before, when Greece sent 10,000 troops to fight in Korea in 1950.

The Korean Ambassador to Greece said Koreans “will always remember the noble sacrifice of Greek veterans and their families.”

In order to honor the history of the two countries, Greek musician Tsalikian Miran performed the Korean national anthem using the national anthem of Greece on the slopes of Lycabettus, an iconic landmark of Athens.

He was invited to play the Korean national anthem for the event by the Korean Embassy in Athens. The Greek musician reflected on his experience, saying: “I enjoyed the musical experience, as well as the musical and cultural trip, and I thank everyone at the Embassy for giving me this opportunity.

Miran stressed the importance of intercultural cooperation, especially artistic cooperation, saying that “the results people can achieve when they work together and create are very impressive”.

Korean-inspired Greek musician Tsalikian Miran

This is not the first time that the musician is musically inspired by Korea.

Miran won an international music competition in 2019 for his orchestral composition of a song in honor of the victims of the 1980 Gwnagju Uprising organized by the Gwnagju Cultural Foundation of Korea.

Students and citizens opposed the Korean government of martial law in the city of Gwangju in 1980, and although they faced incredible violence, their actions sparked a movement that led to the fall of the dictatorship. Korean in 1987.

His play, titled “The Oath of Heroes: A Symphony for Heroes” paid tribute to the sacrifice of those who lost their lives to secure democracy in Korea against military rule.

The contest judges were clearly moved by the breathtaking composition, which Miran said was inspired by those who were willing to risk their lives to restore democracy to their country.


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Music composer Eimear Noone was the first woman to lead the Oscars https://allanpettersson.org/music-composer-eimear-noone-was-the-first-woman-to-lead-the-oscars/ https://allanpettersson.org/music-composer-eimear-noone-was-the-first-woman-to-lead-the-oscars/#respond Fri, 15 Oct 2021 05:00:00 +0000 https://allanpettersson.org/music-composer-eimear-noone-was-the-first-woman-to-lead-the-oscars/ If you’ve ever spent a weekend exploring the world of modern video games, then I’m willing to bet a bunch of platinum-plated PlayStation 5s you’ve come across working as a songwriter, conductor, and versatile musical mage. Eímear Noone. Winged as the Irish Queen of Game Music, the Galway-raised woman has led the way in the […]]]>

If you’ve ever spent a weekend exploring the world of modern video games, then I’m willing to bet a bunch of platinum-plated PlayStation 5s you’ve come across working as a songwriter, conductor, and versatile musical mage. Eímear Noone.

Winged as the Irish Queen of Game Music, the Galway-raised woman has led the way in the industry over the past decade through her expressive and unmistakable work of soundtracks such as multi-million pound franchises such as World Of Warcraft, Overwatch and the Legend of Zelda.

However, while she spent many summers in her youth soaking up the sights and sounds of the arcades while on vacation in Wexford and her family home was furnished with the standard Atari number 2600 which was a staple of most From the childhoods of the 80s, conquering the realm of video games was never an ambition in the beginning.


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Sioux City Symphony will open the season with works by the black composer | Weekend https://allanpettersson.org/sioux-city-symphony-will-open-the-season-with-works-by-the-black-composer-weekend/ https://allanpettersson.org/sioux-city-symphony-will-open-the-season-with-works-by-the-black-composer-weekend/#respond Thu, 14 Oct 2021 17:00:00 +0000 https://allanpettersson.org/sioux-city-symphony-will-open-the-season-with-works-by-the-black-composer-weekend/ Chances are you’ve never heard the classical music of Florence Price. This is largely due to the fact that Price (1887-1953) lived in an era when men were dominant both as classical musicians and as composers. Another reason Price isn’t widely known is the color of his skin. “Florence Price was a black musician at […]]]>

Chances are you’ve never heard the classical music of Florence Price.

This is largely due to the fact that Price (1887-1953) lived in an era when men were dominant both as classical musicians and as composers.

Another reason Price isn’t widely known is the color of his skin.

“Florence Price was a black musician at a time when it was considered a handicap to be in the world of classical music,” said Michelle Cann.

Classical pianist who has performed with the Philadelphia Orchestra, Cleveland Orchestra and New Jersey Orchestra, Cann will perform Price’s Piano Concerto in One Movement with the Sioux City Symphony Orchestra at 7:30 p.m. Saturday at the Orpheum Theater, 528 Pierce St.

The Concerto evokes Price’s experience as a black woman in the post-Civil War South. It will be associated with Beethoven’s powerful and triumphant Symphony No.7 during the concert which also marks the season opening of the Sioux City Symphony Orchestra.

“Price’s work has been completely ignored for many years,” Cann said. “It is only in the last few years that his work has received renewed attention.”

People also read …

Indeed, Cann was a champion of Price’s repertoire.

“When people first hear the Piano Concerto in one movement, they are amazed,” she said. “They think the music could serve as the soundtrack to a very dramatic film.”

This makes sense to Cann, who noted that Price was born in Little Rock, Arkansas and raised in an era when folk, jazz, and gospel music was exploding in the South.

“Price’s music is accessible and affordable,” she said. “Since receiving classical training, Price has also been influenced by classical composers like Brahms and Tchaikovsky. “

Having made her orchestral debut at the age of 14, Cann said she would have loved to know Price when she was growing up.

“As a black woman, I think it would have been nice to see someone who looks like me,” she said. “It’s hard when you feel like you fit into a certain world.”

Cann said the classical world is still dominated by both composers and male musicians.

“It’s getting better,” she said. “We can see the other side but we’re still there.”

Cann would like to be a role model for women and people of color.

“Finding out more about Florence Price’s accomplishments was meaningful to me,” she said. “I want to be that for the next generation.”

Cann is happy that Price, the first African-American woman to be recognized as a symphonic composer, is experiencing a bit of a rebirth.

“Price’s music needs to be heard because it is powerful, accessible and important,” she said.


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The composer who was once nicknamed “the Beethoven of Japan” – and how it all came to light … https://allanpettersson.org/the-composer-who-was-once-nicknamed-the-beethoven-of-japan-and-how-it-all-came-to-light/ https://allanpettersson.org/the-composer-who-was-once-nicknamed-the-beethoven-of-japan-and-how-it-all-came-to-light/#respond Thu, 14 Oct 2021 16:37:01 +0000 https://allanpettersson.org/the-composer-who-was-once-nicknamed-the-beethoven-of-japan-and-how-it-all-came-to-light/ 14 October 2021, 17:37 Mamoru Samuragochi admits not having written his own compositions. Image: Alamy The extraordinary story of classical music’s greatest fraudster, and how he was discovered. Among the biggest scams in history is this incredible tale of a deaf composer, once nicknamed “Japan’s Beethoven,” who was exposed as a fraud in the spring […]]]>

14 October 2021, 17:37

Mamoru Samuragochi admits not having written his own compositions.

Image: Alamy


The extraordinary story of classical music’s greatest fraudster, and how he was discovered.

Among the biggest scams in history is this incredible tale of a deaf composer, once nicknamed “Japan’s Beethoven,” who was exposed as a fraud in the spring of 2014.

Mamoru Samuragochi, who rose to fame in the mid-1990s, confessed to hiring someone else to write his most famous music for almost 20 years.

Samuragochi had claimed to be the composer behind video games such as Resident Evil, as well as his Symphony No. 1 (Hiroshima), a tribute to those killed in the 1945 bombing of the city.

The real composer behind these works ultimately turned out to be Takashi Niigaki, a music teacher at a college in Tokyo. Here is his story, and how Samuragochi fooled the world …

Read more: The story of concert pianist Joyce Hatto, and how the classical world was fooled

Takashi Niigaki holds a press conference at a Tokyo hotel on February 6, 2014, the next day.

Takashi Niigaki holds a press conference at a Tokyo hotel on February 6, 2014, the next day.

Image: Alamy


Who was the negro, Takashi Niigaki?

In February 2014, the Winter Olympics were held in Sochi, Russia, and 2010 Olympic bronze medalist figure skater Daisuke Takahashi was preparing to perform.

The Japanese figure skater was set to skate to Samuragochi Sonatine for violin in front of a global audience.

“I couldn’t bear the idea that skater Takahashi was seen by the world as an accomplice in our crime,” said Niigaki, who called a press conference to tell his story.

In a nearly fifty-minute confession, Niigaki revealed to a field of microphones at the New Otani Hotel in Tokyo, that for the past eighteen years, he was the one who had composed Samuragochi’s music.

The show interrupted Japanese daytime programming to air the conference, as Niigaki told media that Samuragochi was not a musician and could not even write music notation or sheet music.

It was in 2001 that Time The magazine originally dubbed Samuragochi the “Beethoven of the digital age”.

He played the piano for a journalist from the publication, which is said to have gushed out, and Samuragochi said Time, “Losing my hearing was a gift from God.”

However, Niigaki also revealed during his February press conference that Samuragochi was not completely deaf, but that Samuragochi had exaggerated his deafness.

Niigaki claimed that deafness was just an act for Samuragochi to improve his reputation a la Beethoven.

Mamoru Samuragochi speaks at his own press conference a month later.

Mamoru Samuragochi speaks at his own press conference a month later.

Image: Alamy


Samuragochi then responded to Niigaki’s statements with his own two-hour press conference a month later.

In his speech, he apologized and admitted not writing any of the music he had previously claimed. He also admitted that although her hearing was impaired, she did not meet legal requirements for deafness.

Since the couple’s press conferences in 2014, the two appear to have switched roles.

Samuragochi has moved away from the public eye, while Niigaki has appeared on television and in magazines. He was commissioned to write symphonies in his own name and worked with orchestras that had previously performed his work without his knowledge.

Niigaki is now a popular and acclaimed composer in his own right. He recently announced plans to open Shibuya Music College, an online college where students can take as many classes as they want for a monthly fee of 980 yen (£ 6.30).

We look forward to seeing Niigaki’s students continue his now unmasked legacy …



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Tyler Bates replaced as composer https://allanpettersson.org/tyler-bates-replaced-as-composer/ https://allanpettersson.org/tyler-bates-replaced-as-composer/#respond Thu, 14 Oct 2021 13:20:00 +0000 https://allanpettersson.org/tyler-bates-replaced-as-composer/ There is an unlikely Guardian team this time around.Picture: Marvel studios M. Night Shyamalan is already ready to tease his next project. Jason Blum reveals plans for even more Universal monsters rework. David Gordon Green teases how the world of Halloween ends is reflected by ours. In addition, a new look at The witcher‘s back, […]]]>

Drax, Star-Lord, and a bearded Thor watch a holographic screen in a scene from Avengers: Endgame, as Mantis, Rocket Raccoon, and Nebula watch behind them.

There is an unlikely Guardian team this time around.
Picture: Marvel studios

M. Night Shyamalan is already ready to tease his next project. Jason Blum reveals plans for even more Universal monsters rework. David Gordon Green teases how the world of Halloween ends is reflected by ours. In addition, a new look at The witcher‘s back, and what’s next American Horror Stories. Spoilers get it!

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Bag head

Deadline reports that Saffron Burrows, Jeremy Irvine, Peter Mullan and Julika Jenkins will star alongside Ruby Barker and Freya Allan in Alberto Corredor feature film adaptation of his short film, Bag head. The story follows “the enigmatic Baghead, a wrinkled little person who is able to manifest the dead and bring them back to our world for brief periods. People are looking for a way to reconnect with their lost loved ones. Once in contact with Baghead however, the true powers and intentions of the main character are revealed and there is a high price to pay for his contact with the deceased. Barker portrays a young woman who must confront Baghead and put an end to her manic evil at all costs.


Guardians of the Galaxy Vol. 3

James Gunn revealed to CinemaBlend that John Murphy (The suicide squad) replaced Tyler Bates as a componentuh from Guardians of the Galaxy Vol. 3.

I had to zoom down just before this zoom because I was talking to all my department heads. We were going through the final of [Volume 3] from shot to shot, shot, shot and explaining exactly how each shot was going to be done. Now this stuff we’re going to shoot in May. So it’s just planning. Once I’m out of there, I’m going to have to go listen to some music that John Murphy wrote that we’re going to play during the movie. … I guess I’m spoiling the fact that John Murphy is doing the score for Guardians.


Knock on the hut

While plot details are not available at this time, M. Night Shyamalan’s the next horror movie is called Knock on the hut and is slated for release on February 3, 2023.


The Wolfman / Universal Monsters

Producer Jason Blum provided Collider with an update on his project werewolf movie starring Ryan gosling.

We are working on the script, we need to do it right. Work on trying to get a script that [Gosling] feels good, comfortable and excited.

In the same interview, Blum revealed that his production company is also developing “two or three” other remakes of Universal Monsters.

We have two or three that we are developing. They haven’t been announced yet, so I can’t speak to them. But the status of Universal Monsters is no different than it has ever been. Universal is in charge of Universal Monsters. But we’ve found a few ideas that they like for a few of their others. And I hope we turn them into movies.


Halloween ends

David Gordon Green revealed to Bloody-Disgusting that John Carpenter now gives notes on the last draft of Halloween is coming to an end.

Halloween ends is finished, and in fact, I get John Carpenter’s notes on the new project later. So, I’m excited about it. There is resolution. Like any trilogy, you want it to have a beginning, a middle, and an end. We had a concept for the ending, and two years ago we wrote the first version of it. So we had everything planned out before we started production on Kills. We knew where it was going, and we wanted Kills to be a symphony in the middle of the Strode saga book.

In a separate interview with Uproxx, Green confirmed Halloween ends takes place a few years after the events of 2018 Halloween and Halloween kills and therefore it tackles both the covid-19 pandemic and the “particular politics” of our present time.

So if you think about it, I mean, where we leave these characters in Halloween 2018, the world is a different place. So not only is their immediate world affected by this trauma, they have time to deal with this trauma – and it is a specific and immediate traumatic event in the community of Haddonfield. But then they also had a global pandemic and a particular policy and another million things that rocked their world.


Halloween kills, Chucky

Meanwhile, Michael Myers meets Chucky in a new cross-promotion for Halloween kills and the Child’s play TV shows on Syfy (see below).


The spine of the night

Hello, spine of the night attach.

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: Shudder


Zeros and ones

Ethan Hawke plays Jericho, “an American soldier stationed in post-apocalyptic Rome” who personally witnesses the “Vatican explosion” in the trailer for Abel Ferrara’s latest film, Zeros and ones.


Needle in a parking meter

There’s also a new trailer for Needle in a parking meter with Leslie Odom Jr., Cynthia Erivo, Orlando Bloom and Freida Pinto. We had a exclusive extract from the film earlier this week if you want to check it out.


To improve

Jason Blum revealed to Collider he’s still working on a TV series based on the 2018 film, To improve.

To improve should have been a wide exit. I was pissed off about it. We are working on a TV show. So work on the scripts. This first round, did not come out. I didn’t get the answer I wanted to get. I don’t want to be developing. I want an order. We’re working on the scripts again, so that we can get an order.


Flash

Weekly entertainment has our first look at Tony Curran as Despero.

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: The CW

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: The CW

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: The CW

At the same time, new photos from the shooting of the next Armageddon crossover have surfaced on social media, revealing Barry Allen is somehow becoming a new version of Reverse-Flash as her usual self finally gets her classic cartoon golden boots.


Legends of tomorrow

Weekly entertainment also has two new pics from the 100th episode of Legends of tomorrow, featuring familiar faces from back.

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: The CW

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: The CW

Meanwhile, Nate kills J. Edgar Hoover in the trailer for next week’s episode.


The witcher

A new poster for The witcherthe second season of Netflix.

Image from the article titled Guardians of the Galaxy Updates Vol.  3, the flash and more

Photo: Netflix


The boys

Elsewhere, The Deep sells recyclable canned water in a new promotion for The boys.


American Horror Story: Double Feature Film

The trailer for next week’s episode of american horror story prophecies that the first human-alien hybrids will be born in 2021.


Batwoman

Speaking of hybrids, Batwoman teams up with Alice to fight an all-new Killer Croc in the trailer for next week’s episode.


Chucky

Finally, Tiffany returns, Andy makes his debut, and Chucky dons a homemade Hello Kitty mask in the trailer for his upcoming episode, “Give Me Something Good To Eat.”


Banner illustration by Jim Cook



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Jessie Montgomery, CSO Mead Composer in Residence https://allanpettersson.org/jessie-montgomery-cso-mead-composer-in-residence/ https://allanpettersson.org/jessie-montgomery-cso-mead-composer-in-residence/#respond Thu, 14 Oct 2021 11:00:00 +0000 https://allanpettersson.org/jessie-montgomery-cso-mead-composer-in-residence/ In April, violinist and composer Jessie Montgomery was named the Chicago Symphony Orchestra’s new composer-in-residence. Montgomery will split her time between New York and Chicago throughout her residency, which began July 1 and ends June 30, 2024. She gave this interview while in town preparing for the first concert for the 2021 season -2022 MusicNOW […]]]>

In April, violinist and composer Jessie Montgomery was named the Chicago Symphony Orchestra’s new composer-in-residence. Montgomery will split her time between New York and Chicago throughout her residency, which began July 1 and ends June 30, 2024. She gave this interview while in town preparing for the first concert for the 2021 season -2022 MusicNOW from CSO, Back home, which takes place on Monday November 1st.

As said to Jamie Ludwig

I am currently in Chicago. We had a preview concert yesterday during the Ear Taxi Festival, which is a big new music festival in town and a partner of CSO. The preview included a piece of mine called Lunar songs, which is a piece for voice and string quartet. It was wonderful getting to know Ear Taxi. There was really a constant flow of audience members which was great. Before that, we had a few days of rehearsal, and I got to know some of the musicians at CSO, which was great. I also met Maestro Muti, and I went to a show at the CSO this weekend. The welcome was therefore extremely warm, with truly wonderful activities.

I’m really excited to see how it all comes together. We were previewing the November 1 concert, which will include Lunar songs and another piece of mine called Loisaïda, my love. Both will be sung by Whitney Morrison. I am really excited about this debut program as it includes a commission from one of my colleagues at Princeton, a fabulous and very promising young composer, Elijah Daniel Smith [Scions of an Atlas]. And we’ll have a Ted Hearne track [Authority] and a play by Nathalie Joachim [Seen], who is a great friend of mine. I’m just delighted to be able to start working with them and Michael Lewanski, who will be conducting the concert.

CSO MusicNOW: Homecoming
This program, organized by Jessie Montgomery, includes two of her compositions, Lunar songs and Loisaïda, my love, alongside plays by Ted Hearne, Elijah Daniel Smith and Nathalie Joachim. Mon 11/1, 7:00 p.m., Orchestra Hall, Symphony Center, 220 S. Michigan, $ 20, all ages

Most of my interactions with Chicago, until about a year ago, were with the Sphinx Organization, as we used to come here every summer to do a concert at the Harris. [Editor’s note: Montgomery has been affiliated since 1999 with this Detroit-based nonprofit supporting young Black and Latinx classical musicians.] As part of the Sphinx Performance Academy, we were in residence with Roosevelt University and Northwestern University at various times during our summer program. In those cases, we were kind of in our little bubble teaching our kids, and we were taking them to Grant Park as part of our summer apprenticeship, and we got to see all of these great performances from Grant Park. One of my former students showed up at the Ear Taxi Festival, so the circle has come full circle.

As for the new music scene in the city, my first introduction was through MusicNOW a few years ago, when Missy Mazzoli invited me to participate. There is also Fulcrum Point, and I have colleagues in a very good string quartet called D-Composed. So I slowly put all the pieces together and find out how everyone is connected. It’s really impressive how much activity there is here around new music and classical music. I feel like they all live in the same space – when I think of classical music, I automatically think of how it is connected to new music. I think the CSO does a great job of making that connection, and I hope to make it even stronger.

Part of the goal is certainly to help attract other types of audiences. We have a partnership with Poems While You Wait, an organization that does spontaneous poems at public events, which I hope will be of interest to some literary audiences. I also have some ideas for bringing in performers who have a more pop lean but who also work with orchestral instruments, and I hope that will bring a more mixed audience. There is now a lot of overlap between classical music and pop music, when it comes to how classical composers think about their work. Because I think there is an immediacy that people are looking for with music, so hopefully that will generate more integration with different audiences. I’m also actively looking for composers to integrate who work in digital media and other fields, like R&B, jazz, alternative rock bands and stuff like that.


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Georgia Youth Symphony Orchestra to present a composition by young composer Marietta https://allanpettersson.org/georgia-youth-symphony-orchestra-to-present-a-composition-by-young-composer-marietta/ https://allanpettersson.org/georgia-youth-symphony-orchestra-to-present-a-composition-by-young-composer-marietta/#respond Wed, 13 Oct 2021 18:04:59 +0000 https://allanpettersson.org/georgia-youth-symphony-orchestra-to-present-a-composition-by-young-composer-marietta/ The Georgia Youth Symphony Orchestra will create a composition by Marietta’s teenage composer Will Weaver. The concert will take place on October 17, 2021 at the Bailey Center for the Performing Arts at Kennesaw State University. For more information, read the full event press release, reprinted below: Georgia Youth Symphony to present the first orchestral […]]]>

The Georgia Youth Symphony Orchestra will create a composition by Marietta’s teenage composer Will Weaver.

The concert will take place on October 17, 2021 at the Bailey Center for the Performing Arts at Kennesaw State University.

For more information, read the full event press release, reprinted below:

Georgia Youth Symphony to present the first orchestral suite Fire by a promising young composer

(Marietta, GA, October 13, 2021) Marietta’s teenager Will Weaver is poised to be a part of the next generation of classical music composers. On October 17, 2021, the Georgia Youth Symphony Orchestra will perform one of their original compositions at the Bailey Center for the Performing Arts at Kennesaw State University.

Inspired by that of Vivaldi Four Seasons, Weaver composed the Orchestral Suite in B minor, Opus Two, Fire, in 2020. The GYSO Philharmonic Orchestra will perform the first movement, which represents a lightning fire. Movements two and three invoke images of a happy fire in a fireplace, then a raging forest fire.

Weaver has been a member of GYSO since 2018 and currently plays viola with the GYSO Symphony and the Honors String Quartet. He is in his second year at Holy Innocents’ Episcopal School in Atlanta, where he also plays violin for the HIES Upper School Orchestra.

At the end of the final season of GYSO, Weaver told Philharmonic Orchestra director Kelly Thomas that he was working on orchestral compositions and asked for his opinion. “When Will sent me the orchestral suite for FireI was more than impressed, ”said Thomas. This led her to ask Weaver for permission to create the sequel’s first movement this season. “It was a pleasure to see him evolve as a composer through different drafts to meet the specific needs of the orchestra and it was a source of inspiration for me and for the other students of GYSO”, he said. she declared.

As a composer, Weaver focuses on writing contemporary classical works for orchestras and chamber groups. He also enjoys arranging music for video games and other forms of digital media. Also in 2020, another of his compositions, Two Rondos for Piano Trio, received top honors in a Georgia Music Educators Association competition.

Founded in 2006, GYSO is the largest youth orchestra program in the Southeast and one of the 10 largest such programs by enrollment in the United States. For more information visit georgiayouthsymphony.org.


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