Harrison Birtwistle, British composer, dies at 87 – Billboard
Harrison Birtwistle, the creator of bold experimental modern music, recognized as one of Britain’s greatest contemporary composers, has died aged 87.
The publisher of Birtwistle, Boosey & Hawkes, said he died on Monday at his home in Mere, south-west England. No cause of death was given.
Birtwistle’s compositions, which ranged from chamber pieces to full-scale opera, have been performed at venues including the Royal Opera House, the English National Opera, the Deutsche Staatsoper in Berlin, the BBC Proms in London and the Chicago Symphony Orchestra.
His resolutely demanding work sometimes tested the patience of listeners, but the composer was unfazed.
“The issue of accessibility,” Birtwistle once said, “is not my problem.”
“I have an idea. I express it as clearly as possible. The criticism is someone else’s problem,” he added.
Martyn Brabbins, Music Director of English National Opera, said Birtwistle “was a much-loved collaborator and mentor whose work has inspired generations of musicians”.
The Royal Philharmonic Society said on Twitter that he was “a true musical colossus” whose music “shook the earth”.
We pay tribute to a true musical colossus, the great Harrison Birtwistle, who sadly passed away. A remarkable five-time RPS award winner, his music shook the earth. There was strength and power in every note he wrote. We will listen with admiration to his works for decades. pic.twitter.com/ys6dZp5zEz
— Royal Philharmonic Society (@RoyalPhilSoc) April 18, 2022
Short of conventional harmony and heavy with complex rhythms, Birtwistle’s music was often described as having an abrasive quality. In 1995 his piece “Panic” had a highly publicized premiere on live television as part of the hugely popular “Last Night of the Proms” concert.
The BBC has been inundated with complaints. “Did someone strangle a cat?” asked a viewer.
It wasn’t just ordinary musical audiences who grimaced at his work. Benjamin Britten, among Britain’s greatest composers of the 20th century, is said to have left during the intermission of the 1968 premiere of Birtwistle’s chamber opera “Punch and Judy” at Britten’s own Aldeburgh Festival.
Birtwistle said audiences often had dissonance issues because they were unfamiliar.
“It has to do with memory in music,” he told The Sunday Times newspaper in 2019. “For example, if you have a Picasso, it can sit on the wall and be part of your memory, even if you only see it subliminally. In music, time really is fleeting. Modern music is not heard long enough to become familiar. You are not familiar with it.
Born in Accrington, North West England, on July 15, 1934, Birtwistle studied clarinet and composition at the Royal Manchester College of Music, where his contemporaries included composer Peter Maxwell Davies and the late pianist John Ogdon. In 1965, Birtwistle sold his clarinets and devoted all his time to composition.
His works include ‘The Mask of Orpheus’, staged by English National Opera in 1986; “Exody,” which the Chicago Symphony Orchestra premiered under Daniel Barenboim in 1998; “Gawain”, which premiered in 1991 at the Royal Opera House; and “The Minotaur”, which debuted at the same location in 2008.
Press Association, Britain’s news agency, said “Gawain” was “cutting edge and has no trace of a song”. But Rodney Milnes, editor of ‘Opera’ magazine, said the opera ‘captured the imagination without remorse’.
Reviewing ‘The Minotaur’, critic Anna Picard wrote in The Independent: “Long on ugliness, short of redeeming beauty, rich with the rough, pungent poetry of David Harsent’s libretto, Birtwistle’s score is as violent than his subject.
But in the Evening Standard, Fiona Maddocks described it as “music of full-bodied, searing beauty”.
The music came from a unique perspective.
“I dream in the abstract – can you imagine that?” he told the BBC in 2002. “Can you imagine some kind of cogs, wooden cogs that are supposed to fit, but don’t. And then you try to put them in another way and they don’t, and it’s kind of hard to describe, but it’s kind of an abstraction.
In 1987, Birtwistle won the $150,000 Grawemeyer Prize for Composition from the University of Louisville in the United States for his opera “The Mask of Orpheus”. He was made Chevalier de l’Ordre des Arts et des Lettres by France in 1986, was knighted by Queen Elizabeth II in 1988 and in 2001 was elevated to the rank of Companion of Honor, a British distinction limited to 65 people. alive.
Birtwistle, the subject of so much criticism, memorably handed it out to pop musicians in 2006 when he accepted an Ivor Novello award.
“Why is your music so (expletive) strong? ” he said. “You must all be brain dead. Maybe you are. I didn’t know there were so many shots until the last half hour. Have fun. Goodbye.”
Birtwistle’s wife, Sheila, died in 2012. He is survived by their three sons.